摘要
中国二战题材电影有三种面相:"英雄传奇类抗战电影"、"回归历史的抗战电影"、"反思类二战电影"。传奇类过强而反思类不足是中国二战题材电影的特点。欧美国家的二战电影取得了反法西斯的丰硕成果,而我国导演反思"二战"的视角还不到位。只有揭露日本军国主义的法西斯本质,并从根本上揭示其形成法西斯观念的内在原因,才能触及"二战"的本质从而达到反思战争的目的。抗战-反法西斯-反战,是认识这场战争的三个有序过程,既切合人们对"二战"历史的认识规律,又符合一般观众思想运行的内在逻辑。对于中国观众的接受心理来说,"反法西斯"环节尤其重要。
There are three types of Chinese movies on the World War II:the type describing heroic legends of anti-Japanese war; the type of describing real history of anti-Japanese war; the type of reflecting the war. In fact,there are a few reflective movies on the World War II in China. In Europe and mainly in the US,movies on that war have made great achievements in anti-fascism. However,Chinese movie directors have no deep anti-war perspective. The essay argues that it is only the fascist essence of Japanese militarism and its reasons are deeply disclosed,the aim of anti-war may achieved. Anti-Japanese war,anti-fascism,anti-war are three processes to realize that war. For Chinese,the process of anti-fascism is more important.
出处
《社会科学》
CSSCI
北大核心
2010年第4期109-114,共6页
Journal of Social Sciences
基金
上海市第三期重点学科"电影学"的阶段性成果(项目编号:S30103)
关键词
二战
电影
反法西斯
World War II
Movie
Anti-Fascism
