摘要
西方人眼中的中国形象是西方意识形态和西方文化话语的产物,20世纪西方的中国想象在明暗之间摇摆。在此影响下,处于东西方文化交汇点的香港和新加坡通过文学建构了20世纪后半叶的嬗变中国的形象:封闭愚昧、贫穷落后。前者浓墨重彩,后者温和理性,但均在意识形态化的否定中传达出强烈的亲善和认同的情感。
The image of China in the eyes of Westerners is a product of Western ideology and discourse, and swung between light and shade during the 20th century. Under this influence, Hong Kong and Singapore, at the crossroad of eastern and western cultures, constructed the evolution of China image in the latter half of the 20th century through literature ： closed and ignorant, poor and backward. The style of Hong Kong literature is in strong sense ; Singapore, moderate and rational, but all conveyed a strong sense of goodwill and recognition of emotions in the ideological denial.
出处
《柳州师专学报》
2009年第6期76-80,83,共6页
Journal of Liuzhou Teachers College
关键词
香港文学
新加坡华文文学
比较文学形象学
中国形象
Hong Kong literature
Singapore Chinese literature
imagologie of comparative literature
China image
