摘要
梁宗岱译的《莎士比亚十四行诗》,采用"十二字五拍"的建行格式,这一建行格式与"以顿代步"基本相同,但"拍"与"顿"的具体划分方法略有差异。以每行"十二字五拍"构成的十四行译诗,格式整齐划一,格律较为严谨,韵式也与原诗接近,但仍存在一些失误或缺陷。总的来说,译诗忠于原作,形式与内容统一,生动传达原诗的神韵风采。梁译莎翁十四行诗堪称为基于其诗论和译论的再创佳作。
Liang Zongdai＇s translation of Shakespeare＇s Sonnets adheres to the principle of using ＂twelve Chinese characters divided into five beats＂ to construct the line of each of his translated sonnets. This principle is quite similar to that of ＂replacement of the English foot with a Chinese pause or word group＂, but there are some slight differences in the way of dividing ＂beats＂ and ＂pauses＂. Constructed on this principle, viz. twelve characters divided into five beats for each line, Liang＇s translation appears to be well uniform in form, fairly strict with the metrical pattern, and quite perfect with the rhyme scheme, though there remain some defects and miscarriages. Taken as a whole, Liang＇s translation, faithful to the original and with a unification of form and content, conveys vividly the poetic charm and vigor of Shakespeare＇s sonnets. Liang＇s translation is entitled to be a superb recreation based on his poetic and translation theories.
出处
《广东外语外贸大学学报》
2009年第5期61-65,87,共6页
Journal of Guangdong University of Foreign Studies
关键词
梁宗岱
莎士比亚十四行诗
格式
格律
韵式
神韵风采
Liang Zongdai
Shakespeare＇s Sonnets
form
metrical pattern
rhyme scheme
poetic charm and vigor
