摘要
中华学者从事文学批评时,往往大量地运用当代西方的文学理论。评论余光中的作品,当然可以这样洋为"中"用;然而,论文主要运用1500年前刘勰撰的《文心雕龙》的理论,分析余光中的创作特色及多方面的文学贡献,说明余光中的诗心文心仿佛与《文心雕龙》呼应。论述中西方理论只作辅佐。
In the past decades it has been fashionable for many Chinese scholars to use contemporary Western theories in studying Chinese literature, and naturally Yu Guangzhong＇s works can also be commented upon in the same manner. However, the author of this paper attempts something different, namely, he draws critical concepts from Intent and Ornament in Literature in dealing with Yu＇s works and analyzes Yu＇ s features in literary creation as well as his varied contribution to literature so as to illustrate the echo between the unique appeal of Yu＇s works and Intent and Ornament in Literature. Moreover, it is clarified in the paper that modern Chinese and western literary theories are merely supplementary in the commentary on Yu＇s works.
出处
《海南师范大学学报（社会科学版）》
2009年第3期81-88,共8页
Journal of Hainan Normal University(Social Sciences)
关键词
余光中
《文心雕龙》
“五色笔”
Yu Guangzhong
Intent and Ornament in Literature
“the five-colored pen”
