摘要
元代的乐府诗创作,是乐府诗史上最为繁荣发达的一个时期。这一时期乐府诗的创作队伍主要由少数民族诗人与汉民族诗人组成,二者的人数之众,作品数量之多,在乐府诗史上均盛况空前。乐府诗之于蒙元一代,不仅进入了高贵典雅的"应制"行列,并且于元末还由杨维桢等人掀起了一次规模巨大的创作高潮。在这一创作高潮中,杨维桢既以1227首的乐府诗之量成为了乐府诗史上产量最高的一位诗人,又因此而形成了其"铁崖乐府"的本色特征。
Poetry of the Yuan Dynasty is the most prosperous in the history of the development of Yuefu poetry. During this period, Yuefu creating team was mainly composed of ethnic minorities and Han nationality. The number of both the poems and poets are unprecedented in the history of Yuefu poetry. Compared with Mengyuan, Yuefu not only moves into the rank of noble and elegant ＂Under-ordered Peoms＂, but set off a large-scale creating upsurge by Yang Wei-zhen, in which Yang became a poet of the highest output with 1227 pieces of poetry, and therefore forming the characters of the ＂Iron Cliff Yuefu＂.
出处
《北方民族大学学报（哲学社会科学版）》
CSSCI
2009年第4期55-61,共7页
Journal of North Minzu University(Philosophy and Social Science)
基金
湖北省教育厅重点项目"两宋诗歌史的文化观照"(2008d127)
关键词
元代乐府
乐府诗创作
乐府诗类型
铁崖乐府
Yuefu poetry in the Yuan dynasty
creating of Yuefu poetry
Yuefu poetry
Iron Cliff Yuefu
