摘要
刘勰以"征圣"、"宗经"为论文宗旨,其《文心雕龙·乐府》一文,开乐府诗批评史上"品第类批评"之先河。刘勰在《乐府》中首倡"乐府"为一种文体,认为可与诗歌并列,主张诗声合一,崇雅黜郑,为其乐府论的核心所在。在"诗"与"声"两个方面,"声"主而"诗"次,并以之对汉、魏乐府与齐、梁"艳歌"进行了程度不同、形式不同之批评,得失各俱。刘勰的乐府论虽然有失偏颇,但意义非凡,影响深远。
Liu Xie took 'zhengsheng'and 'zongjing'as the objectives of his thesis,and his Yuefu chapter in The Literary Mind and the Carving of Dragonsinitiated the'Pindi criticism'on Yuefu poems.In chapter Yuefu,Liu Xie initiated to rank 'Yuefu'as a genre,paralleling with poetry and advocated the unity of poems and sound,worshiped elegance of content and dismissed degrading contents;these are the core ideas of his Yuefu theory.In the aspects of poems and sound,he prioritized sound over poems,and used this criterion to critique the Yuefu poems in Han and Wei dynasties and'erotic songs'in the Liang Dynasty.Even though Liu Xie's Yuefu theory is biased,it still carries great significance with great influence.
出处
《重庆第二师范学院学报》
2014年第1期76-81,175,共6页
Journal of Chongqing University of Education
基金
国家社科基金项目"中国乐府诗批评史"成果之一
批准文号:11BZW072
关键词
刘勰
文心雕龙
崇雅黜郑
Liu Xie
The Literary Mind and the Carving of Dragons
