摘要
道教"存思"作为一种个人修炼和通神的手段,以鲜明的形象感悟、流动的宗教体验、充沛的想象力为重要特征,而其最终能幻想出美妙的神灵形象和神灵世界的结果,不仅为中国古代文艺创作想象提供了丰富的内在图示储藏,在一定程度上促进了游仙作品的繁荣,而且对古代小说戏曲叙事模式的确立及人物形貌的刻画技巧等也有一定影响。
Taoist Meditation is a means of self-cultivation and conversing with god. It has such important features as vivid perception, transient religious experience and plentiful imagination, etc. Mental pictures of gods and fairies induced by meditation not only provide internal schema for the stories of immortals in classical literature and art, also have influence on some narrative pattern and image description of ancient novels and dramas.
出处
《广州大学学报（社会科学版）》
2008年第2期75-79,共5页
Journal of Guangzhou University:Social Science Edition
关键词
道教
存思
想象力
文艺创作
Taoist
Taoist meditation technique
imagination
literature and art creation
