摘要
在非理性主义盛行时代,历史发展失去了目的与方向,戏剧没有了明确的结局。随着语言、时间整一观念的逐渐消解,时间结构在20世纪先锋戏剧中受到了极大的冲击,呈现出一种非常明显的空间化叙事色彩。先锋戏剧的时间结构空间化主要是通过打破"符号"、"句"、"段"各个层面的同位关系以及解构符号本身等方式来实现的。先锋戏剧的空间化叙事是对人们的欣赏习惯与审美能力的挑战,在先锋戏剧的解读中,读者(观众)获得了空前的审美自主性与创造性;先锋戏剧的空间化叙事体现了一种强烈的克服时间的愿望,带来了人们对时间、对人类行为的全新体验与感受,极大地丰富了戏剧的叙述方略。
During the time of irrationality prevailing, history loses its destination and direction and theatre gets no ends. Greatly charged in avant-garde drama, time structure represents a clear tenor of space narration. The specialization of time structure is achieved by breaking through the identity relation of sign, sentence and paragraph and by deconstructing symbols itself. The space narration in avant-garde drama challenges people＇s habit of appreciation and ability of aesthetes. In the reading activity of avant-garde drama, readers（audience） get great selfness and creativity of aesthetics. It embodies a strong desire against time and brings people a new kind of time experiences and enriches ways of theatrical narrations.
出处
《学术月刊》
CSSCI
北大核心
2007年第5期107-112,共6页
Academic Monthly
关键词
先锋戏剧
时间裂变
空间化叙事
avant-garde drama, time fission, space narration
