摘要
20世纪初的中国画坛,经历了“五四”新文化运动的洗礼,经受着中西相融、新旧交替的阵痛。清末民初,不少留学西方或日本的中国画家接受了西方现代艺术的一些观念和表现技法,他们大多于“五四”前后归来,投身到社会洪流中去。于是,拉开了中国现代艺术运动的序幕,出现了如决澜社、艺术运动社、中华独立美术协会等颇具影响力的现代艺术团体。他们在30年代兴起了中国的现代艺术运动高潮。
In the early 20th century, Chinese Painting circle experienced Sino-west crashes and new-old transitional suffering. Chinese painters who studied aboard at that time adopted some notions and article skills of western modern arts, and they took actively part in social reformation. Thus, a number of influential modern art associations were established, and they promoted modem art movement to a summit during the 1930s in China.
出处
《温州师范学院学报》
2006年第1期99-102,共4页
Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)
关键词
现代艺术
决澜社
二徐之争
艺术运动社
modern arts
juelan group
disputes between two Xus
art movement society
