摘要
莱辛和李渔是属于大致相同的历史时期的中西方两位伟大的戏曲理论家,对他们进行比较文论的主题学比较,其目的是通过大致相同的主题在不同文化背景下表现形式及不同的审美心态。借以探求他们在艺术审美和戏剧观念上的差异,并解析其中的文化内涵,对两位不同戏剧理论家的美学观念进行比较,并不是简单的罗列其相同点和差异,而是要从中见出不同民族的艺术家在对民族的审美观念所关注的具有共性的问题。
Lessing and Liyu were almost the contemporaries. Both of them were great dramatic theorists. The comparative study of their subject matters can display not only their different ways of showing but their different aesthetic mentality as well under different cultural background. Exploring the difference of their artistic aesthetics and dramatic thought, and analyzing their respective cultural connotations through comparative study do not simply mean to enumerate both the similar and the different points. As a matter of fact, it means to find out their common aesthetic concern.
出处
《兰州交通大学学报》
CAS
2005年第5期141-144,共4页
Journal of Lanzhou Jiaotong University
关键词
莱辛
李渔
戏曲理论
市民剧
Lessing
Liyu
dramatic theory
citizen play
