摘要
由于中西戏剧传统的差异 ,二者呈现出重抒情与重叙事的不同特色。中国戏剧重曲轻戏 ,成体系的戏剧情节理论比西方晚出现近两千年。西方围绕情节展开的理论探索持续不断 ,成果丰硕 ;中国在戏剧情节领域探索的总体阵容 ,则显得势单力薄。以李渔为代表的中国戏剧理论家 ,往往从编剧论的角度来探讨戏剧情节的构思 ,西方理论家如亚里斯多德 ,多是把情节作为戏剧的构成要素来加以剖析。西方从文学、哲学、心理学等多角度 ,对情节展开全面的研究 ,具有形而上的意味 ,中国的戏剧情节理论重在经验形态 。
The Chinese and Western dramatic arts have different traditions as well as different characteristics. Comparatively speaking, lyric style is distinct in Chinese playwriting, while narrative style is obvious in western playwriting. The birth of a theory of plot as a system is about 2000 years later in China than in the West. Li Yu as a representative of the Chinese playwrights lays stress on how to design a plot of a play,while the Westerners such as Aristotle analyses dramatic plots by anatomy. The Chinese playwrights discuss plots in order to show how to write a play, while Western dramatists study plots literarily, philosophically and psychologically to show what drama is.
出处
《解放军外国语学院学报》
2000年第6期91-94,共4页
Journal of PLA University of Foreign Languages
关键词
中西戏剧
情节比较
抒情
叙事
Chinese and Western drama
plot comparison
lyrical theme
narrative
