摘要
宋明理学具有向性情逼近的切实需要,从而打开了通向审美感悟之域的路径:理学文本的包容性、活脱性和开放性,使其走向了美学文本;宋明理学关于境界、品格、生生之德的论述具有浓郁的审美情调;宋明理学特别是心学对心与物的讲述,透出了由善而美的意义和韵味;白沙之学与阳明心学乃儒家以“乐”为中心的内圣之学的审美境界。
Neo-Confucianism of Song and Ming dynasties has the earnest necessaries that draws near to temperament, thus unfolds the way to the domain of aesthetic appreciation. The tolerating, active and opening property of the text of Neo- Confucianism of Song and Ming dynasties leads it to the text of aesthetics. The expounding with regard to the morals of ideal, character, endless morals of Neo-Confucianism of Song and Ming dynasties has rich aesthetic sentiment. Neo-Confucianism of Song and Ming dynasties, particularly its study of the soul theory to the relation between soul and thing leaks out sense and taste from kindness to prettiness; Bai Sha's (Chen Xianzhang 1428-1500)doctrine and Yang Ming's (Wang Shouren 1472-1528) soul theory are Confucian School's aesthetic bourn of the doctrine of inside saint of heart, which takes the interest of ' pleasure ' as center.
出处
《郑州大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第6期125-129,共5页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
宋明理学
美学意蕴
Neo-Confucianism of Song and Ming dynasties
aesthetic implication
