摘要
法国后现代思想家德勒兹在《千高原》导论中提出了"块茎"的概念。根据他的定义,中国晚唐诗论家司空图的《二十四诗品》不仅在外在形态上犹如一个"块茎文本",而且在思维上确实也蕴含着"块茎思维"必备的六个基本性能。《二十四诗品》并不属于后现代文本,然而它与"块茎"概念客观上存在的联系,不仅体现出后现代文化批评理论的东方化转向,也为借鉴后现代批评模式来重新发掘中国古代文论的文化价值提供了重要启示。
French postmodern philosopher Gilles Deleuze proposed the concept of rhizome in the introduction of his book A Thousand Plateaus.According to his definition,The Realm of Poetry by Sikong Tu,apoetic theorist in the late Tang Dynasty,is like a rhizomatic text in its external form.In addition,its writing does imply six basic principles of the rhizomatic way of thinking.The Realm of Poetryis not a post-modern text.However,there are in fact some relations between it and the concept of rhizome,which reflects an oriental turn of the postmodern cultural criticism theory,and provides an important inspiration for our rediscovering the cultural value of Chinese ancient literary theory by referencing the postmodern criticism mode.
出处
《山东大学学报（哲学社会科学版）》
CSSCI
北大核心
2013年第4期135-142,共8页
Journal of Shandong University(Philosophy and Social Sciences)
