摘要
由王朝中枢直接出面直接干预诗歌创作 ,是清代诗歌史的特殊现象 ,这一点造就了清代中前期诗歌台阁风气一统天下的畸形发展状态 ,造就了王士“神韵说”和沈德潜“格调说”交替成为康熙朝至乾隆朝前期诗坛主导风气的现象。直到乾嘉之际 ,随着时势的变化和以袁枚为代表的性灵诗人的冲击 。
It was a unique phenomenon that the central government interposed the poetic writing in Qing Dynasty. This brought up not only the freaky estate that ministers' poetic style influenced the whole poetic writing, but also the phenomenon that Wang Shizhen's verve theory and Shen Deqian's pattern theory became the main inclination alternately from Kangxi to Qianlong emperors' reign. Not until the period between Qianlong and Jiaqing emperors' reign that with the change of the times and the impact of the Xingling (self expressionist) school headed by Yuan Mei, the complexion became changing thoroughly.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2001年第3期56-61,共6页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
台阁诗风
王士禛
沈德潜
袁枚
the ministers' poetic style
Wang shizhen
Shen Deqian
Yuan Mei
