摘要
唐代中期诗学思潮由理想到写实的转向,以元稹、白居易为最突出标志。但稍前于元、白的张籍和王建的诗歌创作特别是乐府诗,实已具备了这一转向的最本质特征。张籍、王建的乐府诗,对民间现实生活的广泛包容,对社会政治问题的强烈关注,对托讽寓义的传统文学范式的选择,以及通俗的语言、俚俗的情事,都成为元、白诗风之前导。张、王诗的尚俗求实程度固然不及元、白,但正因其内涵的丰富性在体派纷呈的元和诗坛具有天然的亲和力,从而推动了诗学思潮转向的进程。
Yuan Zhen and Bai Juyi marked outstandingly the direction change of poetic thoughts from idealistic to realistic writing during midterm of Tang Dynasty.However,the poetic creations especially ballads and poems in folk style of Zhang Ji and Wang Jian,who lived a little earlier than Yuan and Bai,were actually provided with most essential charactercstic of this direction change.By a wide holding of people′s actual lives;and close attention paying to social and political problems,and choice of traditional literary normal form with satire and implied meaning,and popular language and vulgar circumstances,Zhang and Wang′s ballads and poems in folk style had become the precedence of Yuan and Bai′s poetic style.Admittedly,Zhang and Wang′s poems was less significant than Yuan and Bai in extent of upholding vulgarity and calling for a down-to-earth approach,but they had natural affinity owing to their rich intension amidst Yuanhe(806-820)poetic circles where different styles and schools presented in succession,thus they had pushed forward the course of change direction of poetic thoughts.
出处
《华侨大学学报（哲学社会科学版）》
2004年第2期93-99,共7页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
张籍
王建
乐府
唐代中期
诗风转向
Zhang Ji
Wang Jian
ballads and poems in folk style
midterm of Tang Dynasty
change direction of poetic style
