摘要
陈衍作为"同光体"最重要的理论家和代表诗人,其对清、民诗坛影响甚巨,在他的诗学活动中,又以对"同光体"的建构与传播最称重要。以《近代诗钞》、《石遗室诗话》及续编为中心,可以揭示出其理论与作品相结合的建构手法、价值判断为主导的选人录诗原则和曲笔回护为核心的书写策略,可以说,"同光体"之所以能获得主流地位并产生深远影响,是离不开陈衍的苦心与智慧的。
As the most important theorist and poet in the late Qing Dynasty and the early period of the Republic of China,Chen Yan had an enormous impact on Chinese poetry.His most predominant contribution was on the construct and dissemination of Tongguang Ti.Around his Shi Yi Shi Shi Hua and Modern Poetry Anthology,we could find his construct by combining theory with work,selecting poets and poems by specific judgment.His style of discussion was focus on deliberate digression in writing.The further developing of Tongguang Ti could not do without Chen Yan\s effort and wisdom.
出处
《古代文学理论研究》
2021年第2期564-585,共22页
Studies of Ancient Chinese Literary Theory
