摘要
作为东欧新马克思主义的重要构成单元,捷克斯洛伐克的新马克思主义美学最具典型意义,它集中体现了对人与社会总问题高度聚焦的根本旨趣。以其代表性人物斯维塔克和科西克为例,他们的美学思想既来源于欧洲精神的赓续,也是在经历独特历史现实遭遇后的深刻反思;他们集中辨识并确认了艺术与人和社会之间具有实践和本质性内在关联,他们通过对艺术内部规律特征和价值指向的揭示,指出了艺术具有反抗异化、解放人性的本质规定性;他们还从哲学人类学的角度出发,重新探讨了"实在"概念及其与艺术之间的关系,批判了机械"模仿论""反映论"的虚假前提,认为艺术就是"实在"本身,同时还赋予了艺术以及艺术阐释活动在人与社会中的重要作用。
Czechoslovakian Neo-Marxism aesthetics has a typical significance in EastEuropean Neo-Marxism:it embodies the essential aim of focusing on the"total problems"of humans and society.Taking the representative figures Ivan Svitak and Karel Kosik as examples,their aesthetic thoughts were rooted in the continuing European spirit and the unique historical reality.They identified and confirmed the practical and essential internal relations between arts,humans and society.They pointed out that the arts have the essential quality of resisting alienation and liberating human nature through revealing the internal features and value orientation of art.From the perspective of philosophical anthropology,they re-explored the concept of"reality"and its relationship with art and criticized the false premise of the mechanical"theory of imitation"and"theory of reflection".They considered art as"reality"itself and attributed to arts and artistic interpretation activities an important element in human life and society.
作者
彭成广
PENG Chengguang(Southwest University of Nationalities)
出处
《马克思主义美学研究》
2019年第2期227-243,625-626,共19页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“东欧马克思主义美学文献整理与研究”(项目编号:15ZDB022)阶段性成果
2018年度四川省社科规划项目“一带一路文化战略下东欧新马克思主义美学现代性批判理论研究”(项目编号:SC18C049)阶段性成果
西南民族大学中央高校基金项目“捷克新马克思主义美学思想研究”(项目编号:2019SQN22)阶段性成果
