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克制与放纵:玄学美学的“适性”追求及其不同形态

Restraint and Indulgence: Pursuit of “Suitability” In Metaphysical Aesthetics and its Different Forms
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摘要 魏晋玄学的核心追求是"适性"。由对人性的不同理解,"适性"追求分蘖出两种形态,即克制情欲、不动声色的"雅量"与放任情欲、无拘无束的"任诞"。前者由道家无情无智的"适性"与儒家以智节情的"适性"的合流,后者则是道家无思无虑的"适性"与儒家有情有欲的"适性"的改组。虽然不动好恶的"雅量"与从心所欲的"任诞"同为"适性"的"魏晋风度"受到时人仰慕,但"任诞"是"魏晋风度"的主流形态。这种"适性"追求虽然有解放人性、促进南朝形式美学和情感美学繁荣的积极意义,但它带来的情欲横流、理性失范的负面作用也不容忽视。正是这种突出的社会问题,为隋文帝和唐太宗重树儒家道德理性大旗、扭转社会风气提供了现实依据。 The core pursuit of metaphysics in Wei&Jin dynasties is"suitability".According to different understandings of human nature,there are two forms of pursuing"suitability",i.e.the restraint of lust which is called"Ya Liang"and the unrestrained indulgence of lust,"Ren Dan".The former is the combination of Taoism’s pursuit of"suitability"as being emotionless and Confucianism’s"adaptability"of emotion’s being restrained by intelligence.While both of"Ya Liang"and"Ren Dan"are two modes of"Wei Jin Styles"adored by people in Wei&Jin dynasties,"Ren Dang"is the mainstream.Although the pursuit of"suitability"has the positive significance of liberating human nature and promoting the prosperity of formal aesthetics and emotional aesthetics in the Southern Dynasty,the negative effects of its erotic crossflow and rational anomie can not be ignored.It is this outstanding social problem that provides a realistic basis for Emperor Wen of Sui Dynasty and Emperor Taizong of Tang Dynasty to re-establish the banner of Confucian moral rationality and reverse the social atmosphere.
作者 祁志祥 Qi Zhixiang
出处 《上海文化》 CSSCI 2020年第2期14-26,57,125,共15页 Shanghai Culture
基金 2016年上海市“高校服务国家重大战略出版工程”项目《中国美学全史》5卷本的阶段性成果
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