摘要
本文聚焦新兴的文学地图学基础性的学理层面,探究英美文学地图的意识形态性、图文叙事性和空间本体性三大特征。经研究发现,地图的权力属性贯穿制图和读图的全过程,空间知识由此成为意识形态的同谋,在文学地图中则转换成显性或隐义的权力申诉行为。与此同时,文学地图将情节具象为直观的叙事形式,空间背景和叙事内容也融为有机一体。文学地图在物理层、叙事层和象征层三种维度展现了文学的空间本质特征,从而将艺术本体的内在逻辑前景化。
Focusing on the ontological aspects of Literary Cartography emerging in the last two decades,this essay explores three fundamental features of literary maps,namely,ideology,visual-textual narration and ontological spatiality.Power construction,as this study exemplifies,winds its way through the whole process of space-mapping and map-reading.In the meantime,spatial knowledge arises to be the accomplice of ideology and turns out to be an apparent or latent quest for power surveillance.Moreover,the literary plots are visualized by relative maps,a process in which the spatial backgrounds and narrational contents are well blended.Ultimately literary maps exhibit the ontological features of space via three dimensions,the physical,the narrational and the symbolic,which in return foreground the internal spatial logic of Literary Cartography.
出处
《国外文学》
CSSCI
北大核心
2020年第1期40-50,157,共12页
Foreign Literatures
基金
国家社科基金后期资助项目“文学地图学原理”(项目编号:14FWW003)的阶段性成果.
