摘要
禅宗文学特色的形成与禅宗对世俗经典作家及作品的接受传播关系甚密。两宋以来的禅宗语录,经常言及屈原其人其事其诗,尤其是在端午上堂说法等仪式场合。而古代禅林对屈原形象和楚辞的接受与传播,大致分为三个时段:(1)南北朝至唐,其特点是知识型为主,创作型为辅;(2)宋元,其特点是创作型、表演型为主,知识性为辅;(3)明清,其特点是创作、表演二型并重,遗民形象突显。僧俗的接受传播,总体说来是大同小异,但禅宗与端午禅堂仪式相结合,而且经常戏论屈原形象。究其成因,则和禅宗特有的空观、无分别思想有关。
The formation of Zen literary characteristics is closely related to the acceptance and dissemination of secular classic writers and works by Zen.The Zen analects since the Northern and Southern Song Dynasties have often talked about Qu Yuan,his life,and his poems,especially in ceremonial occasions such as Zen masters’sermon on the Dragon Boat Festival.Zen Buddhist’s acceptance and dissemination of the image of Qu Yuan and Chu Ci can be roughly divided into three periods:(1)from the Southern and Northern Dynasties to the Tang Dynasty,its characteristics were mainly knowledge-based and creative-based supplemented;(2)during the Song and Yuan dynasties,they were characterized by creative and performance-based types,supplemented by knowledge;(3)during the Ming and Qing dynasties,they were characterized by equal emphasis on creation and performance,and the image of survivors was prominent.Generally speaking,the acceptance and spread of monks and secular people were similar,but Zen Buddhism was combined with the rituals of the Dragon Boat Festival,and they often taunted the image of Qu Yuan.The reason for its formation was related to Zen’s unique emptiness and undifferentiated thought.
出处
《海峡人文学刊》
2021年第3期89-114,158-159,共28页
Journal of Humanities Across the Straits
基金
国家社会科学基金重点项目“禅宗语录文学特色之综合研究”(16AZW007)
