摘要
近年来,截句成为诗歌界乃至文学界热议的话题。争论的焦点围绕截句文体合法性、写作特征及其与古典诗歌传统和当代语境的关系问题。截句在形式特征上继承了古典诗歌传统,但在想象方式和话语特征上却是汉语新诗传统的延伸;它在写作特征上一方面注重词与物的贴身敞开,另一方面又注重内在结构的锤炼和诗意强度的瞬时提升。同时,截句在古典诗歌传统、汉语新诗与当代文化三重语境的交汇处,敞开并回应了诗歌发展的历史与现实问题,作为一种可能的写作,表征着新诗发展的新的活力与美学可能。
In recent years,Jie Ju has become a hot topic in poetry and even literature circles.The focus of the debate revolves around stylistic legitimacy,writing characteristics and its relationship with the tradition of classical poetry and the contemporary context.Jie Ju inherits the tradition of classical poetry in terms of form,but extends the tradition of New Chinese poetry in terms of imagination and discourse.On the one hand,it pays attention to the close-fitting opening of words and objects,on the other hand,it pays attention to the tempering of internal structure and the instantaneous improvement of poetic intensity.At the same time,at the intersection of the traditional classical poetry,new Chinese poetry and contemporary culture,Jie Ju opens up and responds to the historical and realistic problems of the development of poetry.As a possible writing,it represents the new vitality and aesthetic possibility of the development of new poetry.
出处
《文化研究》
2021年第1期272-285,共14页
Cultural Studies
基金
河北师范大学博士科研启动基金项目“现代性视域下的潘维诗歌研究”的阶段性成果
关键词
截句
词与物
汉语新诗
Jie Ju
words and things
new Chinese poetry
