The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Z...The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Zhai Pictorial terms of both content and form,and which was founded by the Haiist painter Wu Youru in 1890 in order to reward the increasing number of admirers,but it is still in the initial stage.Flying Shadow Pavilion Pictorial consisted of four parts:pictures of ladies in Shanghai costumes,news about current affairs,pictures of animals,and compilations of women,each of which was accompanied by the then popular notebooks,which were popular at the time among the then readers because of the matching of pictures with text and the mixing of narratives and discussions.This paper takes Flying Shadow Pavilion Pictorial as the main object,summarizes the existing literature about Flying Shadow Pavilion Pictorial,points out the deficiencies of the current research on this basis,and points out the development trend of Flying Shadow Pavilion Pictorial in the future research.展开更多
Becoming famous in 1960s,American confessional poetry,in response to High Modernism as impersonality and totalobjectivity,shifted focus on personal experience.When such confessional flow rushed into China in 1980s,it ...Becoming famous in 1960s,American confessional poetry,in response to High Modernism as impersonality and totalobjectivity,shifted focus on personal experience.When such confessional flow rushed into China in 1980s,it provided Chinese poets a confessional voice to write and investigate significant issues of world,life and society.Thus,writing in different languages and periods does not stop them to implement the same mission:to adopt a confessional voice,represent trauma as blackness and darkness in women experience and bring light,meanwhile,achieve one’s own truth and liberation.展开更多
The introduction and translation of Sylvia Plath＇s （1932-63） poetry into Chinese in the 198os had a significant impact on women＇s poetry in contemporary China, particularly the work of Zhai Yongming （b. 1955） an...The introduction and translation of Sylvia Plath＇s （1932-63） poetry into Chinese in the 198os had a significant impact on women＇s poetry in contemporary China, particularly the work of Zhai Yongming （b. 1955） and Lu Yimin （b. 1962）. Expanding on Lawrence Venuti＇s theory of translation and intertextuality, this article explores the relationship between Chinese translations of Plath and the poetry of Zhai and Lu. It examines four sets of Plath translations and the accompanying paratextual commentaries, demonstrating how Plath＇s Chinese translators inscribe their individual interpretations onto their translations. It shows how these texts are integral in shaping the early poetic output of Zhai and Lu, who further recontextualize Plath through their own poetry, revealing how Plath has been understood, evaluated, and transformed in contemporary China. Ultimately, this process results in a bold new gendered poetics that marks a turning point in Chinese women＇s writing.展开更多
Dian-shi zhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publicat...Dian-shi zhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publication and became an important graphic material for studying the transformation of social life in the late Qing Dynasty of China.This paper mainly introduces the changes of social life in Shanghai in the late Qing Dynasty and provides a spacious research perspective for the above studies.展开更多
Actor Zhai Tianlin won applause for playing a police officer who arrests a fraudster in a skit for this year's Spring Festival Gala. Days later, he was being shamed for a fraud of his own—"faking” his PhD f...Actor Zhai Tianlin won applause for playing a police officer who arrests a fraudster in a skit for this year's Spring Festival Gala. Days later, he was being shamed for a fraud of his own—"faking” his PhD from the Beijing Film Academy.展开更多
The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly ...The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly integrates news and art in the form of artistic dissemination of pictures and texts,and adapts to the needs of the society for news and new knowledge at that time.At the same time,Wu Youru,the editor in chief and main painter of pictorial,reflected some problems in the artistic dissemination of pictures and texts.展开更多
Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly ...Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly studies how the pictorial uses words to shape the image of characters in cities,especially the image of women,and analyzes the shaping of urban characters’identity,personality,social status,and behavior in different news reports,so as to understand the image of urban characters and civil activities in the late Qing Dynasty.At the same time,the accurate use of words and the attitudes and values contained in pictorial have important reference significance for modern media.展开更多
How to write a beautiful story？ It is an important question to Chinese writers because novel has not been regarded as a formal genre until late Qing Dynasty. Pu Songling answers this question with his work Liao zhai ...How to write a beautiful story？ It is an important question to Chinese writers because novel has not been regarded as a formal genre until late Qing Dynasty. Pu Songling answers this question with his work Liao zhai zhi yi （Strange tales from a Chinese studio）. This paper aims to study his narrative arts. There are four sections included. In part 1, this paper introduces a definition of the aesthetic dialectics and its embodiment in Chinese classical literary theory; in part 2, this paper takes the Liao zhai story as example to interpret Pu Songling＇s dialectic relation between description and narration; in part 3, I will show how Liao zhai presents beauty by unexpected but reasonable changes; and in last part, I give more importance to the stories concerning ordinary things for the reason that Pu Songling could make them interesting and beautiful. In the end, the paper concludes that Pu Songling is successful storyteller by using dialectic arts, which should be learned by Chinese writers.展开更多
AT the western end of Liuli Chang, the famous Beijing Cultural Street, there is a two-story classical building. By the door are two boards with three big golden characters, "Rongbao Zhai" (Study of Glorious ...AT the western end of Liuli Chang, the famous Beijing Cultural Street, there is a two-story classical building. By the door are two boards with three big golden characters, "Rongbao Zhai" (Study of Glorious Treasures), one wriuen by Lu Runxiang, Number One Scholar in Qing Dynasty, and the other by Guo Momo. one of the founders of modern Chinese literature, and a great calligrapher. The elegant building, and vigorous, bold and flowing calligraphy reflect China’s brilliant traditional culture. This is展开更多
文摘The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Zhai Pictorial terms of both content and form,and which was founded by the Haiist painter Wu Youru in 1890 in order to reward the increasing number of admirers,but it is still in the initial stage.Flying Shadow Pavilion Pictorial consisted of four parts:pictures of ladies in Shanghai costumes,news about current affairs,pictures of animals,and compilations of women,each of which was accompanied by the then popular notebooks,which were popular at the time among the then readers because of the matching of pictures with text and the mixing of narratives and discussions.This paper takes Flying Shadow Pavilion Pictorial as the main object,summarizes the existing literature about Flying Shadow Pavilion Pictorial,points out the deficiencies of the current research on this basis,and points out the development trend of Flying Shadow Pavilion Pictorial in the future research.
文摘Becoming famous in 1960s,American confessional poetry,in response to High Modernism as impersonality and totalobjectivity,shifted focus on personal experience.When such confessional flow rushed into China in 1980s,it provided Chinese poets a confessional voice to write and investigate significant issues of world,life and society.Thus,writing in different languages and periods does not stop them to implement the same mission:to adopt a confessional voice,represent trauma as blackness and darkness in women experience and bring light,meanwhile,achieve one’s own truth and liberation.
文摘The introduction and translation of Sylvia Plath＇s （1932-63） poetry into Chinese in the 198os had a significant impact on women＇s poetry in contemporary China, particularly the work of Zhai Yongming （b. 1955） and Lu Yimin （b. 1962）. Expanding on Lawrence Venuti＇s theory of translation and intertextuality, this article explores the relationship between Chinese translations of Plath and the poetry of Zhai and Lu. It examines four sets of Plath translations and the accompanying paratextual commentaries, demonstrating how Plath＇s Chinese translators inscribe their individual interpretations onto their translations. It shows how these texts are integral in shaping the early poetic output of Zhai and Lu, who further recontextualize Plath through their own poetry, revealing how Plath has been understood, evaluated, and transformed in contemporary China. Ultimately, this process results in a bold new gendered poetics that marks a turning point in Chinese women＇s writing.
基金贵州省2018年度哲学社会科学规划国学单列课题阶段性成果,宋元时期宋人别集的编纂与刊刻研究,Serial Number 18GZGX25晚清都市媒体的表意实践--论《点石斋画报》(1884-1898)对性别伦理的认知与表达,Serial Number 202010015034《点石斋画报》(1884-1898)的图文艺术性、现代性传播与出版研究,Serial Number Eb202008.
文摘Dian-shi zhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publication and became an important graphic material for studying the transformation of social life in the late Qing Dynasty of China.This paper mainly introduces the changes of social life in Shanghai in the late Qing Dynasty and provides a spacious research perspective for the above studies.
文摘Actor Zhai Tianlin won applause for playing a police officer who arrests a fraudster in a skit for this year's Spring Festival Gala. Days later, he was being shamed for a fraud of his own—"faking” his PhD from the Beijing Film Academy.
基金贵州省2018年度哲学社会科学规划国学单列课题阶段性成果,宋元时期宋人别集的编纂与刊刻研,Serial Number 18GZGX25北京文化产业与出版传媒研究基地建设经费项目,中国“古典文学”与文化的影像化、数据化传播研,Serial Number 04190119001/028.
文摘The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly integrates news and art in the form of artistic dissemination of pictures and texts,and adapts to the needs of the society for news and new knowledge at that time.At the same time,Wu Youru,the editor in chief and main painter of pictorial,reflected some problems in the artistic dissemination of pictures and texts.
基金贵州省2018年度哲学社会科学规划国学单列课题阶段性成果宋元时期宋人别集的编纂与刊刻研究(Serial Number 18GZGX25).
文摘Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly studies how the pictorial uses words to shape the image of characters in cities,especially the image of women,and analyzes the shaping of urban characters’identity,personality,social status,and behavior in different news reports,so as to understand the image of urban characters and civil activities in the late Qing Dynasty.At the same time,the accurate use of words and the attitudes and values contained in pictorial have important reference significance for modern media.
文摘How to write a beautiful story？ It is an important question to Chinese writers because novel has not been regarded as a formal genre until late Qing Dynasty. Pu Songling answers this question with his work Liao zhai zhi yi （Strange tales from a Chinese studio）. This paper aims to study his narrative arts. There are four sections included. In part 1, this paper introduces a definition of the aesthetic dialectics and its embodiment in Chinese classical literary theory; in part 2, this paper takes the Liao zhai story as example to interpret Pu Songling＇s dialectic relation between description and narration; in part 3, I will show how Liao zhai presents beauty by unexpected but reasonable changes; and in last part, I give more importance to the stories concerning ordinary things for the reason that Pu Songling could make them interesting and beautiful. In the end, the paper concludes that Pu Songling is successful storyteller by using dialectic arts, which should be learned by Chinese writers.
文摘AT the western end of Liuli Chang, the famous Beijing Cultural Street, there is a two-story classical building. By the door are two boards with three big golden characters, "Rongbao Zhai" (Study of Glorious Treasures), one wriuen by Lu Runxiang, Number One Scholar in Qing Dynasty, and the other by Guo Momo. one of the founders of modern Chinese literature, and a great calligrapher. The elegant building, and vigorous, bold and flowing calligraphy reflect China’s brilliant traditional culture. This is
