摘要
作为园林建造中极为重要的理法,“借”在“因借体宜”四法中的重要地位一直被学界凸显。本文将从梳理“借”法则的五大借景模式的具体实践开始,分析借的法则如何将景色纳入园中。其次,指出所借之景是渗透了造园者审美眼光的,是其个性自觉的表征。最后,点明通过“借”之法使得园内园外、框里框外、人与天融成了一幅天然图画。重视“借”之理法的传统园林,是体现天人合一的中国艺术精神的伟大作品。
Borrowing is a very important law of gardening. First, this paper will sort out the specific practice of the five major modes of scene borrowing of the law of “borrowing”. Secondly, it is pointed out that the borrowed scenery reflects the aesthetic vision of the garden maker. Finally, the method of “borrowing” makes human beings and nature blend into a natural picture. Emphasis on the “borrowing” method of traditional gardens is the embodiment of man and nature in harmony with the spirit of the great works of Chinese art.
