摘要
由藏族导演松太加拍摄的藏地影片《阿拉姜色》在电影语言与人物形象塑造方面一改以往藏地电影的类型化创作倾向,以创新性视角开启藏地电影新的影像表达方式,尤其是影片中展现的当代藏人形象,成为藏地电影人物艺术化塑造的一个全新转折。本文依据电影情节从现代文明潜行、藏地文明失落与坚守以及多维度性格塑造的角度入手,结合电影影像表达特色,分析影片展现的当代藏地人物特点,并进一步探讨隐含在人物塑造背后,导演试图传达的电影主题。
The movie AlaChangso made by Tibetan director SontharGyal has challenged traditional creation tendency of movie language and characterization that created a new perspective of Tibetan movie direction.Especially,the image of contemporary Tibetans characterized in the movie has been an artistic milestone in Tibetan movie’s creation process.According to the image expression,this paper aims to summarize characteristics of these contemporary Tibetans and further discuss the movie theme by analyzing movie plots from three aspects:the lurk of modern civilization,the lost and perseverance of Tibetan culture and the multidimensional characters of Tibetans.
出处
《艺术研究快报》
2019年第3期35-39,共5页
Art Research Letters
