摘要
宗白华从意境创构、层次结构两个方面对艺术意境作出独特分析,站在了美学的现代高度。他对中国艺术意境的追求与其个人的艺术美观念有着内在联系,主张"芙蓉出水"是意境创构的最高目标,是中国艺术的理想的美感类型。对艺术意境的追求,涵容着宗白华的人格精神追求。把美学视界主要落在中国美学,特别是中国艺术意境的研究上,是宗白华内心个体生命感受的现实展现,是他生命本真的自觉。
The representation of the beauty of artistic mood, is the root of the aesthetic power in Chinese arts. Zong Baihua's original analyses of the creations and hierarchy of the mood are truly on the top of modern aesthetics. He significantly connects the pursuit of the mood of Chinese arts with his personal ideas about artistic beauty and claims that a lotus flower just appearing above the water is the ultimate end of the creation of the mood and the ideal type of Chinese arts. Undoubtedly, he has discovered the ideal side of Chinese arts in an ideal kingdom and the ideal road for the development of the mood of Chinese arts. His pursuit of artistic mood is realistically linked with his pursuit of the spirit of personality. His aesthetic concentration on the study of Chinese arts, especially the study of its mood, is his abreaction of solitude in his personal and inner life and relates to his consciousness of the authenticity of life.
出处
《厦门大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第3期49-53,共5页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
宗白华
意境创构
人格精神
生命自觉
Zong Baihua, artistic mood, spirit of personality, consciousness of life
