摘要
本文在介绍日本国宝中中国瓷器的基础上,对宋代建窑“油滴”及“曜变”问题进行了探讨,宋代建盏中的“油滴”即宋代文献所说的“鹧鸪斑”,“曜变”应为特殊的“油滴”。同时,文章对被日本定为国宝的中国瓷器何以全部为宋、元瓷器的原因进行了探究,认为与镰仓时代以来日本人崇尚淡雅隐逸的艺术特色之审美观有密切关系,是深受茶陶旨趣熏陶的结果。
The author examines the Song Dynasty Jian Kiln 'oil - drop' (youdi) and 'altered glaze' (yaobian ) Chinese porcelain regarded in Japan as National Treasures and looks at why Song and Yuan Chinese porcelain articles are regarded in Japan as Japanese National Treasures . The author also examines in outline the history and present situation of Japanese studies of Chinese ceramics. Although Japan has a strict system governing the definition of national treasures, eight Chinese Song and Yuan Dynasty porcelain articles are defined as National Treasures. These are 'oil - drop' glaze (called zhegu - ban or francolin partridge marking glaze in Chinese texts) and 'altered glaze' (a term for a special type of ' oil - drop' glaze). From the Kamakura period onwards, the Japanese have an aesthetic outlook based on elegant simplicity, and these objects are also highly revered in the Japanese tea ceremony.
出处
《故宫博物院院刊》
北大核心
2003年第1期81-86,i004-i007,共10页
Palace Museum Journal
关键词
日本
国宝
中国瓷器
宋代
建窑
“油滴”
“曜变”
Japan
National Treasure
Chinese porcelain
Jian kiln
“oil - drop” glaze
“altered glaze”.
