摘要
20世纪中国报告文学成为文坛主流文体的辉煌,与报告文学作家奉行的文体意识密切相关。在文本书写与叙说的对象上,坚持以非虚构性为核心的文体规范的本位坚守;在探讨写作方式上,不拘一格地进行叙说方式的创新实验。在这样既矛盾又统一的文体意识主导下,一个坚守文体本位与锻造文体活力的互动之路就生动地呈现在近百年报告文学创造的宏伟时空之中。
The splendor of reportage, one of the main - stream genres of 20th century Chinese literature, is closely related to the sense of genre pursued by the reportage writers. In textual writing and narrative object, they stick to the unswerving defense of their position that this genre should remain standardized with non - fiction at the core. In exploring for ways of writing, they follow no set patterns and carry out innovative approaches. Guided by such a sense of genre which is both contradictory and unified, a path along which obstinate defense of position and exercise of genre vitality interact on each other vividly shows itself in the grand time and space created by reportage over the century.
出处
《南京师范大学文学院学报》
2003年第4期87-92,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
