摘要
中篇小说《沙家浜》作为对同名样板戏的改写,借解构"经典"之名,以时尚的"包装"来寻求卖点。其写作出发点是后现代主义文化背景下的平民主义写作立场。它通过对样板戏中"英雄人物"的戏谑化解构,给消费时代的大众读者提供了一套后现代商业文化色彩的文学快餐,同时也是当下文学写作精神困境的表征。
Sha Jia Bang,as a novelette,which is the rewriting of the same title Revolutionary Modern Peking Opera,has found its selling-point in the fashionable packing through deconstructing'Classics'.Its starting-point is plebeianism of the cultural context of the post-modernism. It not only provides a piece of literary snack for the mass reader of consume era, which is in the background of the post-modernism commercial culture,by deconstructing'hero figure'in the Revolutionary Modern Peking Opera,but also shows the difficult position at the spirit of contemporary literary writing.
出处
《武汉理工大学学报（社会科学版）》
2003年第6期736-740,共5页
Journal of Wuhan University of Technology:Social Sciences Edition
关键词
《沙家浜》
样板戏
改写
英雄人物
平民主义
英雄主义
Sha Jia Bang
Revolutionary Modern Peking Opera
rewriting
hero figure
plebeianism
heroism
