摘要
在中国内蒙古高原有史以来便有一个自成体系的游牧型舞蹈文化圈,通过对其探究阐释,可以揭示中国北方游牧民族在多种社会因素促成下的生存之谜。本文志于蒙古族舞蹈的研究,以求从中国北方游牧民族文化的探索向度、草原艺术的研究深度,揭示蒙古民族舞蹈这种集北方游牧民族舞蹈之大成的艺术形态、文化特质以及美学范式,从而弥补蒙古族舞蹈"有舞无史"的缺憾;并采用多维、多向、多度的跨文化、跨学科的研究方法,力求从结构框架到内容阐释都有一些新的拓展思路和在方法上的突破。本文认为,书写舞史的前提是有史可依、有理可据;"若无多年渐悟之功,便无瞬间顿悟之效",而从"渐悟"到"顿悟"的转变则需通过实践感悟、田野调查、文物实证、探颐索微等不可或缺的过程。
I. Origin and purpose The Mongolian plateau, a place of breadth and width, has been a self-contained system of nomadic dance culture circle since the ancient time. Relying upon the typical geographical environment, economic form, lifestyle, customary belief, and aesthetic, a great number of the northern nomads have created a dance art with unique ethnic cultural characteristics and deep historical and distinctive ethnic attributes. Through the exploration and analysis of the Mongolian ethnic minority dance in both ancient and modern times, we can know, indirectly or directly, some of the mysteries of dance origin, survival,existence, and continuation of Chinese northern nomads under the inf?luence of a variety of social factors, so as to f?ill the gap in the cultural foundation of today’s Mongolian dance art.There have been quite a few insightful discussions on the inherited Mongolian dance created by the northern nomadic people, made by both the domestic and foreign experts and scholars based on different academic principles since the modern times. However, there have been no scholars organizing and expounding the Mongolian dance, an art form epitomizing the characteristics of different northern nomadic dances, from the dimension of exploring China’s northern nomadic culture with indepth study on the grassland art, by using the aesthetic paradigms of both the characteristics of nomadic danceculture and the new characteristics of the modern times, and with an emphasis on the consistent ethnic discourse. In this regard, the author decided to write The Art of Mongolian Dance in China, based on his years of practice, understanding, and research results, aiming to explore what had not been explored so as to f?ill the gap of that the Mongolian dance has 'a dance without history.'II. Structure and content The framework of The Art of Mongolian Dance in China is an ever-changing comprehensive research category, a relatively broad one related to the constant exchange between clan and clan, tribe and tribe, ethnic grou
出处
《当代舞蹈艺术研究》
2017年第2期84-89,共6页
Contemporary Dance Research
关键词
蒙古族舞蹈史
北方游牧民族
草原文化艺术
顿悟
dance history of Mongolian ethnic group
northern nomadic people
grassland culture and arts
sudden enlightenment
