摘要
内蒙古文艺批评界的女性对"女权主义批评"思想和方法的借鉴是从90年代初开始的。女性文艺批评否定和解构男权文化的强烈批判精神,为内蒙古文艺批评注入了崭新的思想要素。女性文艺批评对文艺民族性的探讨做出了具有突破性的贡献。内蒙古文艺批评界女性在理论研究方面取得的成果表明,女性不再是抽象思辨领域的"缺席者"和"缄默者"。新时期内蒙古女性文艺批评总体上是美学的批评与社会历史批评的统一。
The 1990s saw the beginning of borrowing of the thoughts and methods of 'criticism of feminism' by the females in the circle of literary and artistic criticism of Inner Mongolia. women literaty and artistic literary injects brand new elements of thought through the negation and destructuring of the strong critical spirits of male-dominated culture. Women literary and artistic criticism has made significant contributions to the investigation of the national character of literary and art. The achievements in the theoretical field made by the females in the circle of literary and artistic criticism of Inner Mongolia shows that females are no longer absent from or keep silent in the field of abstract speculation. As a whole, the women literary and artistic criticism of Inner Mongolia in the new period is a unification of aesthetic criticism and social and historical criticism.
出处
《内蒙古大学学报（哲学社会科学版）》
CSSCI
北大核心
2003年第6期34-39,共6页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
新时期
内蒙古
女性
文艺批评
女性视角
文艺民族性
new period
Inner Mongolia
Females
literary and artistic criticism
leminine perspective
national character of literary and art
