摘要
陈若曦向来是被认作“伤痕文学”的始作俑者而闻名于海内外,她的文革小说更是被视作一般意义上的“政治小说”。陈若曦是一位有良知的知识分子,她对生活充满了热忱和期待,但是生活却无情地伤害了她,使她对其产生了距离。但是不可否认的是,与大部分中国知识分子一样,陈若曦也缺乏深刻的自省精神,她也没有超越个人的怨恨情结,因而在一定程度上降低了她的“伤痕小说”的美学意义和深度。
Chen Ruoxi, whose novels about the Culture Revolution are deemed to be politicas hovels in a wider sense, is well - known both at home and oversea for her initiating the unique theme of ' Scar Literature'. She is a conscientious intellectual, with a passionate and expectant attitude towards life, but life ruthlessly hurts her and therefore makes her hold detachment from it. However it is undeniable that like most chi-nese intellectuals, Chen Ruoxi lacks the deep introspection and does not go beyond her complex of personal resentment, which to a certain extent has decreased the aesthetic significence and depth of her 'Scar Literature.
出处
《沙洋师范高等专科学校学报》
2003年第6期42-45,共4页
Journal of Shayang Teachers College
关键词
陈若曦
文革
伤痕
荒诞
Chen Ruoxi
Culture Revolution
suffering
absurd
