摘要
由于亲历梦魇,遭遇过心灵浩劫,海归知识分子陈若曦写"文革"中的历史悖谬不是隔岸观火,而是深入骨髓。台湾、美国、大陆两岸三地行走的背景,使她的伤痕小说在选材和表达上呈现出与众不同的视角,展示出鲜明的陈氏风格。陈若曦怀着乌托邦的追寻与幻灭,选择起义投诚者、归国留学生、革命狂热者、台湾返陆者等角色,在荒诞中揭示时代真相,以让人颤栗的反讽手法和理性节制的叙事为我们呈现出这样的悖论:"信徒"被"神"抛弃的悲剧。
As a returned student, Chen Ruoxi had experienced the Cultural Revolution and suffered a lot, therefore, what she had described in her works is true and impressive. Because of her background of living in mainland of China, Taiwan and America, her works show a different perspective in expression and selecting materials, her style is very strong in the works. With the pursuit and disillusionment of utopia, Chen Ruoxi selected uprising mutineers, returned students, revolutionary fanatics and the people returned mainland of China from Taiwan as the characters to reveal the truth from the absurd, using the frightening ironic and rational narration, she showed us the paradox： the tragedy of believers abandoned by the god.
出处
《河北科技师范学院学报（社会科学版）》
2014年第3期20-23,共4页
Journal of Hebei Normal University of Science & Technology(Social Sciences)
关键词
起义投诚者
归国留学生
革命狂热者
反讽叙事
理性节制
uprising mutineers
returned students
revolutionary fanatics
the ironic narration
rational control
