摘要
本文梳理1978—2013年35年间上海文艺学的发展轨迹。上海的文艺学在这时期从形象思维的讨论拉开帷幕,中经拨乱反正、文艺批评定位和美学的重新勃兴,到分别在马克思主义经典文论、西方文论和美学,以及中国美学等方面结出硕果,应是显示了上海文艺学界历来避虚求实的良好传统。近年文化研究作为兼收并蓄的开放性交叉学科进入中国学术语境,首先是从文艺学研究的母胎中脱颖而出的。
A review of Shanghai's literary theory development from 1978 to 2013 would be helpful to comprehend by analogy. It demonstrates the good tradition of seeking truth while avoiding falseness by starting from a discussion on imaginal thinking, to the clearing up of all the confusions, the demarcation of literary criticism and the regeneratoin of aesthetics, and to the great achievements in classic literary theory of Marxism, western literary theory and aesthetics. Recent years, cultural studies introduced into Shanghai as an open and cross discipline is firstly given to its birth from literary theory studies.
出处
《上海文化》
CSSCI
北大核心
2017年第2期5-13,125,共10页
Shanghai Culture
