摘要
《我们》《美丽新世界》《1984》被并称为'反乌托邦三部曲',它们用极端的想象、惊人的洞察力、极度的变形、精准的预见性,犀利地批判理性主义、科技信仰、极权政治,描绘出一幅冷酷无情的死亡之景。本文将着重分析反面乌托邦中人类正常情感和人之为人的自由是如何被异化和消解的,提出三部曲表面上是反人性的,但其终极关怀始终是人自身,悲剧性结局实际上饱含着作者对人、人性的深沉关怀。
We,Brave new world and 1984 are referred to as the'dystopian trilogy',and they use extreme imagination,amazing insight,severe deformation,accurate foresight,sharp critical rationalism,belief in science and technology,totalitarian politics,paint a picture of a relentless death scene.This article will focus on the analysis of normal human feelings in dystopian and freedom of the person’s behavior is being alienation and digestion,put forward the trilogy is the human nature on the surface,but its ultimate concern is always people themselves,tragic end is actually full of the author’s deep concern of people,human nature.
作者
叶佳琳
Ye Jialin(the College of Chinese Language and Literature,Shanghai University)
出处
《世界文学评论（高教版）》
2018年第1期76-79,共4页
The World Literature Criticism
关键词
反乌托邦三部曲
情感
自由
理性
极权
人性
Dystopian trilogy
emotion
liberation
reason
totalitarian
the human nature
