摘要
意象批评不同于印象批评,《文心雕龙》的文学意象批评由低级的印象批评和高级的意象理论批评两大层次构成,是采用意象化的语言运用意象思维而进行的文学批评。刘勰的意象批评自上而下,由宏观到微观,密密层层,交织成为一个有机的理论体系。印象批评是意象批评的低级形态,属于再创造性的赏析式的文学批评,其用意象具有强烈的情感感染性,主观色彩浓厚;意象理论批评是意象批评的高级形态,使用的意象侧重于抽象理论的解说,不具或很少带情感感染性,理性色彩较强。
The image criticism different from the impression criticism. The Literary image criticism in 'Wen-Hsin Tiao-Lung', consists of two-layer elements of primary impression criticism and advanced image theoretical cnlicism, expressed in terms of image languages and image thought. Liu Hsieh's image criticism, related to macrocosm and microcosm, interweaves them into an organic theoretical system.The impression criticism is the primary state of the image criticism, characterized by recreatively appreciative literary criticism, and the image in use is of strong emotional element and of deep subjectivity. However, the image theoretical criticism represents the image advanced formation of image criticism and the image in use lays emphasis on the abstract theory interpretation, without or less emotional element, but bursting with stronger rational element.
出处
《湖北大学学报（哲学社会科学版）》
CSSCI
北大核心
2003年第2期58-62,共5页
Journal of Hubei University(Philosophy and Social Science)
关键词
刘勰
文心雕龙
意象批评
印象批评
意象理论批评
Liu Hsieh
' Wen-Hsin Tiao-Lung'
Image criticism
Impression criticism
Image theoretical criticism
