摘要
本文拟在文化研究的挑战下,重新思考美学自身的特殊性,从而让美学在沟通文化研究,反思自身局限性的同时,有能力成为一种"非体制化"、"非意识形态化"的领域。为此,本文重新理解了波德莱尔当年对于艺术那极为著名的有关艺术二重性的判断:"现代性是短暂的、易逝的、偶然的,它是艺术的一半,艺术的另一半是永恒和不变的……"。在其中,艺术的特殊性以互补的性质呈现出来,对古往今来的各种艺术都提供了一种开放的规定性。当今天我们在文化研究和后现代主义种种怀疑论的质询下思考美学时,波德莱尔的判断或可作为我们跳出文化研究和文化主义视域的另一框架。
The paper tries to rethink about the particularity of the aesthetics under the challenges of cultural studies,thus aesthetics,in consideration of its own limitations,has the ability to become a non-institutionalized and non-ideological field under the context of the cultural theories. Therefore,the paper makes a new understanding of Baudelaire's art theory,especially his view of the duality of art,that was'By modernity I mean the transitory,the fugitive,the contingent which make up one half of art,the other being the eternal and the immutable. 'In this statement,the particularity of the art is presented as a complementary relation,which provides the art of all ages a sort of open-ended stipulation. Faced with the skepticism on cultural studies and postmodernism,Baudelaire's judgment could be a useful framework to think about the aesthetics today free of cultural studies and culturalism field.
出处
《江苏教育学院学报（社会科学版）》
2014年第9期110-113,124,共5页
Journal of Jiangsu Institute of Education(Social Science)
关键词
艺术二重性
波德莱尔
美学复兴
duality of art
Baudelaire
revival of aesthetics
