摘要
当今所谓的艺术,主要是受20世纪七八十年代以来发展并在全球范围内扩散的美国式“艺术”观念所支配,而再也不受德语的“艺术”或法语的“美的艺术”体系所支配。自从现代主义诞生以来,艺术的历史使命的减弱或者消失已经成为事实,但从全球范围而言,“艺术的终结”这一论断仍有些夸大其词。因为在第一世界的艺术死亡之后(这里存在更多的是文化),第二和第三世界的艺术还生长着。艺术从根本上说还不是一个媒介事件和现象,而是一个同我们每个人相关的东西——不管它是不是商品。
The contemporary meaning of ＂art＂ is designated by its American notion as it has been developed and globally disseminated since the seventies and eighties of the Twentieth Century, rather than being predominated by that of the German ＂Kunst＂ or of the system of the ＂beaux-arts. ＂ The historical role and its exclusive import of art are gone since the modernism, but the ＂end of art＂ is still an overstatement. After the death of art in the first world （there are more culture）, it is still flourishing in the second and third worlds. In the final analysis, art is not primarily a media event and phenomenon, but something of relevance to each individual, to each of us-and that this may be so whether it is a commodity or not
出处
《学术月刊》
CSSCI
北大核心
2006年第3期39-45,共7页
Academic Monthly
