摘要
挂屏是悬挂在墙上的一种装饰性屏风,是宫廷里备受欢迎的陈设品。本文以清代挂屏研究为主线,通过社会及文化背景的研析,呈现了挂屏艺术综合了满族文化,儒、道、释文化以及域外多元文化之间的影响,展示出清代传统挂屏艺术文化相互交融发展的艺术特征。本次研究主要梳理儒、道、释文化在清朝时期的发展状况,以及在儒道释文化直接影响下的清代挂屏艺术表现,意在为挂屏陈设艺术的传承与发展提供一些理论支撑。
Hanging panel, as a kind of pure decoration hanging on the wall, is a popular furnishings in court.This paper focuses on the research of hanging panels in the Qing Dynasty through the analysis of social and cultural background, which presents the impact of hanging panel art on Manchu culture,Confucianism,Taoism and Buddhism as well as the multi-culture outside the region, and shows mutual integration and development of traditional hanging panel art in the Qing Dynasty.This research mainly focuses on the development of the culture of Confucianism,Taoism and Buddhism in the Qing Dynasty, and the artistic expression of hanging panels under these influence.The purpose is to provide some theoretical supports for the inheritance and development of hanging panel display art.
作者
周艺
宫艺兵
Zhou Yi;Gong Yibing
出处
《家具与室内装饰》
2019年第1期106-108,共3页
Furniture & Interior Design
关键词
清代
挂屏
文化
儒道释
Qing Dynasty
Hanging panels
Culture
Confucianism,Taoism and Buddhism
