摘要
西汉刘向的《列女传》以其传、颂、图三位一体的编撰方式在中国古代典籍中别具一格,正因为如此,《列女传》文本及其图像在后世流传过程中,必然涉及到其文本(语言文字)与图像的关系问题。不同时代,不同类型的《列女传》文本与图像中,其语图关系的紧密程度也有所区别。一方面,《列女传》中语象与图像在这种相互模仿、相互斗争的模式中共同发展、共同进步;另一方面,语象与图像结合程度的不同也带来了叙事强度上的区别。
Liu Xiang's Female Biography is unique in the ancient Chinese classics with its transmission,song,and map compilation of the Trinity means.With it's and as such,Female Biography's text and image inevitably involves the text(language) and image relations in later.Different times and different types of Female Biography's text and image,its degree of close relationship between language maps is also somewhat different.On the one hand,Female Biography's text and image develop and progress in the mode of imitating and struggling.On the other hand,language and image as the degree of integration has also brought a different strength of the narrative.
出处
《贵州文史丛刊》
2012年第1期71-78,共8页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
关键词
语象
图像
《列女传》
叙事
language
image
Female Biography
narrative
