摘要
葛亮小说用音乐、方言、戏曲等听觉符码的美学再现民间生活的多样图景,在声音的变化、碰撞和留白中展示民间社会的复杂生态,呈现出独特的文化和美学意义。葛亮小说中的民间音景是对民间生命韧性的审美化挖掘,透露出浓厚的民间生命关怀意识。两岸三地的城市经验、多重文化身份及跨媒介语境,让作为“离散者”的葛亮试图引领读者用“耳朵”回望家国,以和民间生活场域联结在一起的具有历史感和情境化的声音景观为媒介,构建广阔的民间生活图景,展现民间社会生态的复杂变迁,实现了对文化传统、现实处境的吸收与转化,从而建构了独特的声音和听觉美学。
In Ge Liang’s fiction,the aesthetics of auditory codes,such as music,dialects and xiqu(Chinese operas),are used to represent a multitude of folk lives,revealing the complex ecology of folk society and exhibiting the unique significance of culture and aesthetics,in the change,clashes and absences,deliberately left,of the sounds.The folk soundscape of Ge Liang’s fiction is an aestheticized excavation of the tenacity of folk life,revealing a deep concern with folk life.Urban experiences in China,Taiwan,Hong Kong and Macao,multiple cultural identities and the cross-media context enabled Ge Liang,one of the diasporic persons,to guide the reader to look back towards the homeland,with the historic and situationized soundscape,linked to the sites of folk life,as the media,building a vast folk life picture,revealing the complex transformation of folk social ecology,realizing an absorption and transference of cultural tradition and realistic situation,thus constructing a unique sound and aural aesthetics.
作者
邓桂英
杨向荣
Deng Guiying;Yang Xiangrong
出处
《华文文学》
2024年第6期93-99,共7页
Literatures in Chinese
基金
2023年度湖南省社会科学成果评审委员会一般课题(编号:XSP2023WXC008)
湖南省教育厅科学研究重要课题(编号:23A0369)研究成果。
关键词
葛亮
听觉美学
民间书写
听觉符码
文化认同
Ge Liang
aural aesthetics
folk writing
auditory codes
cultural identity
