摘要
杜甫的“三吏”系列和柳宗元的《田家三首》均展现了两人对官民冲突及农民困苦的深刻洞察,尽管他们都关注社会问题,但在创作视野、风格和哲学理念上却存在显著差异。杜甫的诗歌以情感色彩浓烈,风格沉郁顿挫著称,倾向于国家宏观视角,强调“小我”服从“大我”;而柳宗元的诗歌则情感克制,风格中庸清淡,更多地关注“小我”,展现个体在社会不公面前的尊严与抗议。杜甫对儒家理论的内化使其作品自然流露出对社会民生的关怀,柳宗元则系统提出“辅时及物”理论并以之为创作原则之一,主张文学应当反映现实并促进社会进步。两人的作品反映了唐代社会的复杂性,同时也揭示了“小我”与“大我”之间的伦理张力,共同构建了唐代社会历史的文学画卷。
Du Fu's"Three Officials"series and Liu Zongyuan's Three Poetries of the Tian Family show their profound insight into the conflict between officials and civilians,as well as the struggles faced by peasants.Although they both pay attention to social problems,there are significant differences in their creative vision,style,and philosophical outlook.Du Fu's poetry has strong emotional color,and a depressed style,and tends to the national macro perspective,emphasizing that the"ego"should serve the greater good.In contrast,Liu Zongyuan's poetries are emotionally restrained,moderate and light in style,and pay more attention to the"ego",highlighting individual dignity and protesting against social injustice.Du Fu's internalization of Confucianism made his works naturally express concern for the welfare of the people.Liu Zongyuan systematically put forward the theory of"completing time and things"and took it as one of the creation principles,advocating that literature should reflect reality and promote social progress.Their works reflect the complexities of Tang society and reveal the ethical tension between the"ego"and"the collective",jointly creating a vivid literary portrait of Tang social history.
作者
师子康
SHI Zikang(Northwest University,Xi'an Shanxi 710119)
出处
《浙江万里学院学报》
2024年第6期64-70,共7页
Journal of Zhejiang Wanli University
关键词
杜甫
柳宗元
经世致用
大中
沉郁顿挫
诗歌转型
DU Fu
LIU Zongyuan
pragmatism
large and medium-sized
depressed and frustrated
poetic transformation
