摘要
运用文献查阅、田野调研等方法,结合文化生态学理论,从艺术载体与自然环境、民俗功能与文化环境、文化认同与社会环境三个层面分析了国家级非物质文化遗产郎庄面塑的文化生态系统构成以及内部的耦合关联性。从“受众客体”“传承主体”“民俗功能”三方面总结了郎庄面塑文化生态的失衡表征,并提炼出当前的内、中、外文化生态系统发展困境。在此基础上,构建出郎庄面塑的文化生态保护路径:基于注重本体创新性发展的内生力强化、基于落实现代非遗教育体系的主体源优化和基于营造传承发展氛围的外生态环境构建。
Using document research and field investigation methods,combined with the theory of cultural ecology,this paper analyzes the cultural ecological system composition and the coupled correlation within the three layers of art carrier and natural environment,folk custom function and cultural environment,and cultural identity and social environment of Langzhuang clay sculpture,a national intangible cultural heritage.It summarizes the imbalance manifestations of Langzhuang clay sculpture cultural ecology from the perspectives of“subject of audience,”“inheritance subject,”and“folk custom function,”and extracts the current internal,middle,and external cultural ecological system development dilemmas.Based on this,a cultural ecological protection path for Langzhuang clay sculpture is constructed by strengthening the internal vitality of the art carrier’s innovative development,optimizing the subject source of modern intangible heritage education system through falling into place,and constructing the external ecological environment for inheritance.
作者
赵玉
梁立立
ZHAO Yu;LIANG Lili(School of Art and Design,AHUT,Ma’anshan 243032,Anhui;School of Textile and Fashion,Nanshan University,Yantai 265706,Shandong,China)
出处
《安徽工业大学学报（社会科学版）》
2024年第3期41-44,共4页
Journal of Anhui University of Technology：Social Sciences
基金
安徽工业大学青年基金:郎庄面塑在旅游文创产品设计中的开发与应用(QS202106)。
关键词
文化生态学
郎庄面塑
非遗传承
cultural ecology
Langzhuang clay sculpture
intangible heritage inheritance
