摘要
针对久有讨论的园画关系,文章以画景为切入点,将苏州留园与日本桂离宫中经典的“隔水面山”之景进行对比,分析观者眼中呈现的园林景象与中国传统山水画的共通之处及其营造手法,以探讨东方古典园林中所共有的画意以及各自不同的园画互动之法,为园林阅读提供一种富有情趣的补充。
In response to the long-discussed relationship between gardens and paintings,this paper takes painting as an entry point,compares the Suzhou Liuyuan Garden with the classic"Mountains Across the Water"scene in the Guili Imperial Villa in Japan,and analyzes the commonalities between the gardens presented in the eyes of the viewer and traditional Chinese landscape paintings and their methods of creation.In order to explore the common pictorial meaning of classical oriental gardens and their different methods of garden-painting interaction,it provides an interesting addition to the reading of gardens.
出处
《建筑与文化》
2024年第10期256-258,共3页
Architecture & Culture
关键词
景象
留园
桂离宫
山水画
landscape
Liuyuan Garden
Guili Imperial Villa
landscape painting
