摘要
开化公共文化客厅是衢州开化县的重要文化地标。项目位于山、水、城之间的独特地理区位,以及开化“国家公园城市”的城市定位,让处理城市与自然之间的关系成为项目的创作出发点。设计通过引入“盆景”概念,使建筑成为城市与自然的重要衔接;通过在整体与局部两种不同尺度视野下对建筑本体与环境的分别凸显,以满足建筑在昭示性与融合性两方面的诉求;最后,通过建筑在公共空间与表皮材料方面情与理的统一塑造,满足时代对于文化建筑复合化与视觉化的内在诉求。文化客厅在城市与自然、建筑与环境,以及空间与人三重由大到小的关系建构中成立。
The Kaihua Public Cultural Living Room is an important cultural landmark in Kaihua County,Quzhou.The unique geographical location of the project between mountains,water,city,and the urban positioning of Kaihua as a"national park city"make the relationship between the city and nature the project's starting point.By introducing the concept of a"potted landscape",the building becomes an important connection between the city and nature.The significance and the integration of the building are fulfilled by emphasizing the building and the environment respectively in detail and as a whole.The emotions and reasons are united in the building's public space and surface material,meeting the inherent demands of the times for the composite and visualization of cultural buildings.The cultural living room is established in the threefold construction of the relationship between the city and nature,the building and the environment,and the space and the people.
作者
郭晔
王记成
谭雅秋
GUO Ye;WANG Jicheng;TAN Yaqiu
出处
《时代建筑》
2024年第3期104-109,共6页
Time + Architecture
关键词
开化公共文化客厅
关系
山水
虚实
情理
Kaihua Public Cultural Living Room
Relationship
Landscape
Emptiness and Reality
Emotion and Rationality
