摘要
艺术与旅游融合(艺旅融合)是新时代旅游创新发展的重要领域。传统上,艺旅融合仅作为文旅融合的下辖概念,这种旧研究格局在实践层面已无法满足我国新时代旅游发展需求,理论层面也存在解释不足、概念误解等问题。因此,文章基于旅游审美哲学探讨艺旅融合,建构理论逻辑与研究框架。首先,从澄清(旅游)审美问题的概念出发,探索了从存在性到人本性的旅游审美哲学基础;其次,梳理了艺旅融合二维度,即艺术旅游与旅游艺术,提出基于旅游审美哲学的“艺旅人本体验”;第三,分析了艺旅融合过程中的“主-客-艺”三元关系;第四,探索了艺旅融合的研究框架,包括内涵与维度(宏观层的宏大叙事/微观层的人本体验)、性质与影响(经济性/政治性/社会性/文化性/地方性/人本性)、生产与功能(供给侧/需求侧);最后,提出艺旅人本体验因其情感特征而在人工智能时代具有的新契机。研究旨在为我国艺旅融合发展的关键阶段提供一个可供参考的理论框架起点,促进社会和个体层面的人的价值发展。
The integration of art and tourism is an important recent development in the field of tourism.Traditionally,integration of arts and tourism has been subordinate to the concept of integration of culture and tourism.However,this approach presents problems such as insufficient explanation and conceptual misunderstandings at the theoretical level,and thus is no longer suitable for practical tourism development in China today.Therefore,in this study,we explore the art-tourism integration based on a tourism aesthetic philosophy,constructing both a theoretical logic and a research framework.First,starting with the clarification of the concept of(tourism)aesthetics,we explore the philosophical foundation of tourism aesthetics from existentialism to humanism and analyze the concept of“aesthetic distance”within the tourism aesthetic philosophy.Second,we explore the two dimensions of art-tourism integration:art tourism and tourism art.Art tourism is a type of tourism that occurs with the purpose of participating in artistic activities,while tourism art involves specific tourism forms and behaviors being regarded as art practices.Thus,we propose a“humanistic experience of art-tourism”based on a tourism aesthetic philosophy.This experience goes beyond the appreciation of specific artistic works to encompass the overall aesthetic experience of tourism.Furthermore,the realization of a“humanistic experience of art-tourism”does not require tourists to have professional-level artistic knowledge,but rather emphasizes the aesthetic process of pursuing human existence experiences and self-realization in tourism,which also represents the process of tourism aesthetics education.Third,we analyze the“host-guest-art”relationship involved in the process of the art-tourism integration.In terms of the relationship between tourists and art,art provides tourists with aesthetic experiences and consumption opportunities,while tourists react by disseminating the local art through various media including texts,photos,videos,and soc
作者
孙佼佼
吕兴洋
SUN Jiaojiao;LYU Xingyang(College of Tourism,Shanghai Normal Univeristy,Shanghai 200234,China;School of Business Administration,Southwestern University of Finance and Economics,Chengdu 611130,China)
出处
《旅游学刊》
CSSCI
北大核心
2024年第9期106-116,共11页
Tourism Tribune
基金
国家自然科学基金项目“古城旅游地人本空间测度与影响机制研究”(42101225)
教育部人文社科基金“红色旅游的精神内化机制及对精神文明现代化的推动作用研究”(23YJA630072)
姑苏宣传文化人才项目“古城旅游地‘艺旅融合’创新生产与数字化发展研究”(LL2023010)共同资助。
关键词
旅游审美
审美哲学
艺术旅游
旅游艺术
艺旅融合
tourism aesthetics
aesthetic philosophy
art tourism
tourism art
art-tourism integration
