摘要
文学史叙述是一种文学秩序、体系和规范的建构过程。根据其叙述脉络、体例和结构,对国内公开出版的文学史著作叙述框架可以分为时间框架——时间史、空间框架——空间史和主题框架——主题史等三大类型。然而,这些叙述框架过于关注以作家作品为中心的创作史,忽略了文学传播、消费环节及其循环系统,难以全景式展示文学发展的整体面貌。为此,本文提出“文学全史”和“数字文学史”概念,将文学活动视为一种动态循环系统,以中国蒙古族文学的发生、发展、流变全过程诸环节为考察对象,将其发展历程划分为“两代、四段、三史”。在“纵横交错”与“时空交叉”的场域中,探讨了中国蒙古族文学全史书写路径,并分析了利用数字技术创建数字平台和构建数字文学史的可能性。
The narration of literary history is a process of constructing literary order,system and norm.According to the narrative context,style and structure,the narrative frame of the literature history works published in China can be divided into three types:time frame--time history,space frame--spacc history and theme frame--theme history.However,these narrative frames pay too much attention to the creation history centered on the writer's works,ignore the links of literature communication,consumption and its circulation system,and it is difficult to show the whole face of literature development in a panoramic manner.Therefore,this paper puts forward the concepts of"the whole history of literature"and"the history of digital literature",regards literary activities as a dynamic circular system,takes the whole process of the emergence development and evolution of Mongolian literature in China as the object of investigation,and divides its development process into"two generations,four stages and three histories".In the field of"crisscrossing"and'spatio-temporal crossing",this paper discusses the path of writing the whole history of Mongolian literature in China,and analyzes the possibility of using digital technology to create digital platform and construct digital literature history.
作者
满全
Dornotenger(School of Mongolian Studies,Inner Mongolia Normal University,Doctor,010022)
出处
《中国蒙古学（蒙文）》
2024年第4期79-89,208,209,共13页
CHINA MONGOLIAN STUDIES
基金
内蒙古自治区“草原英才”工程青年领军人才项目《中国蒙古族文学全史数字平台建设》
内蒙古师范大学基本科研业务费专项《中华民族共同体文学交流史研究》(编号:2023JBPT003)。
关键词
蒙古族文学
全史
数字平台
Mongolian literature
Complete history
Digital platform
