摘要
林棹在其长篇小说《潮汐图》中,展现了“新南方写作”的先锋特质。该作以1820年代的一只雌性巨蛙为主角,讲述了一个不仅深深植根于晚清岭南风土,更胸怀世界的传奇故事。从文学史的角度审视,《潮汐图》不仅以其卓越的想象力拓展了文学的虚构疆域,有力延续了先锋文学传统,更以极具岭南风情的地方书写,使得先锋性的特质得以在地生根。林棹将这一地方性的叙事置于全球化的宏大背景之下,通过地方与世界的辩证关系,呈现了一种“世界中”的书写,彰显出青年作家在先锋性上的独到开拓。
In her novel Chaoxitu,Lin Zhao shows the pioneer character of“New South Writing”.This novel tells the story of a female giant frog is 1820s,which is not only deeply rooted in the Lingnan region of the late Qing dynasty,but also cares about the world.Viewed from the perspective of literary history,Chaoxitu not only expands the fictional territory of literature with its outstanding imagination,but also effectively continues the pioneer literary tradition.Furthermore,it makes it possible that the characteristics of the pioneer can take root in the ground with the Linnan style of the local writing.Lin Zhao put this local narrative in the grand background of globalization,through the dialectical relationship between the local and the world,presented a kind of writing“In the world”,it shows the unique pioneering of the young writers in the vanguard nature.
作者
易文杰
Yi Wenjie(Renmin University of China)
出处
《写作》
2024年第4期86-95,104,共11页
Writing
