摘要
西方艺术史中物的概念可以从艺术和现实的关系这一视角来考察,同时要放在西方哲学中对物和艺术的本体论思考的理论框架中来讨论。从古希腊的摹仿论出发,直到20世纪的海德格尔、丹托等哲学家关于物的讨论,从中可以梳理出从古希腊的形而上的本体论中物作为低级的摹仿之物到海德格尔现象学中的关联之物,再到物的自身关联性以及物之物化这一发展脉络。这一脉络显示了思想史和艺术史中的对物越来越开放而动态的理解。
The concept of things in the history of Western art can be examined from the perspective of the relationship between art and reality,and need to be further addressed within the theoretical framework of ontological reflections on things and art.From the doctrine of mimesis(imitation)in ancient Greece to Heidegger’s and Danto’s discussions of things,one can delineate a line of development,namely from the mimetic things of lower ontological rank in Greek metaphysics,to the contextualized things in Heidegger’s phenomenology,and further to the inherent relationality of things and the objectification of things.This trajectory points to the possibility of a vivid and dynamic understanding of thinghood.
作者
杨光
YANG Guang(School of Humanities,Tongji University,Shanghai 200433,China)
出处
《同济大学学报（社会科学版）》
北大核心
2024年第4期64-72,119,共10页
Journal of Tongji University:Social Science Edition
基金
上海市哲学社会科学规划一般课题项目“中国哲学视野中的海德格尔”(2020JG008-BZX841)。
关键词
摹仿论
关联性
情境主义
反身性
物之物化
mimesis
correlation
contextualism
reflexivity
objectification of things
