摘要
贡布里希对图像叙事阐释的思考贯穿于他的整个理论体系中,他沿着瓦尔堡和潘诺夫斯基的足迹,提出一整套阐释图像叙事的研究范式。贡布里希认为图像的意义可以被解读,提出图像叙事中的“图式—矫正”原则。贡布里希拆解“时间之点”概念,从象征和再现相交织的维度研究视觉艺术,并从图像叙事变迁的角度重审和重构了艺术史。贡布里希以图像叙事为线索解读艺术史,努力挖掘图像的叙事潜力和话语隐喻空间,为重构艺术史提供了一种新的方案。贡布里希的图像解读策略无疑可以成为一个新的参照系,为解读图像艺术提供一个新的坐标,拓展了艺术批评和艺术理论研究的问题域和方法论。
Gombrich's thinking on the interpretation of image narrative runs through his entire theoretical system.Following the footsteps of Warburg and Panofsky,he proposed a complete set of research paradigms for interpreting image narrative.Gombrich believed that the meaning of images can be interpreted,and he proposed the"schema plus correction"principle in image narrative.Gombrich dismantled the concept of"Punctum Temporis",studied visual art from the dimension of interweaving symbolism and representation,and re-examined and reconstructed art history from the perspective of image narrative changes.Gombrich interpreted art history with image narrative as a clue,and tried to explore the narrative potential and discourse metaphor space of images,providing a new solution for reconstructing art history.Gombrich's image interpretation strategy can undoubtedly become a new reference system,provide a new coordinate for interpreting image art,and expand the problem domain and methodology of art criticism and art theory research.
作者
杨向荣
陈琴
YANG Xiangrong;CHEN Qin(College of Humanities,Hangzhou Normal University,Hangzhou 311121,China)
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2024年第4期136-143,共8页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
国家社会科学基金一般项目(20BZW027)。
关键词
贡布里希
重读
图像学
图像叙事
Gombrich
rereading
iconology
image narrative
