摘要
近年来,非遗纪录片越发注重运用非遗传承主体的身体影像表达情感和阐释文化。本文在身体现象学视域下探讨非遗纪录片中身体影像如何参与构建动态空间场域。文章认为,在身体影像生产和传播过程中,身体影像与外部世界中的非遗主体、媒介主体和社会主体相互作用,持续扩展空间场域的动态边界。同时,在基于身体影像构建的空间场域内部,身体影像与非遗主体、媒介主体与社会主体相互关联形成主体性关系网络,使诸多主体的关系网络趋于平衡状态,以分离与聚合的动态结构建构互动融合的总体性空间场域。
In recent years, documentaries of intangible cultural heritage have increasingly focused on the use of body images of the inheritors to express emotions and explain cultures. This paper explores how body images participate in the construction of dynamic spatial fields in the documentaries of intangible cultural heritage through the lens of body phenomenology. It concludes that in the process of body image production and dissemination, the interaction between body images and intangible cultural heritage subjects, media subjects, and social subjects in the external world continues to expand the boundaries of the dynamic spatial field. At the same time, within the spatial field constructed on the basis of body images, body images are interconnected with intangible cultural heritage subjects, media subjects, and social subjects to form a network of subjectivity relationships, which tends to balance the networks. Thus, a dynamic structure of separation and aggregation is used to construct an interactive and integrated overall spatial field.
出处
《包装与设计》
2024年第3期166-167,共2页
Package & Design
基金
辽宁省兴辽英才青年拔尖人才基金“乡村振兴战略下辽南少数民族手工艺创新性传承研究”(XYLC2007160)阶段性研究成果
教育部社会科学重大研究课题“马克思主义美学话语体系的历史演变和范式转换”(22JZD005)阶段性研究成果。
关键词
非遗纪录片
身体影像
文化场域
空间场域
documentaries of intangible cultural heritage
body image
cultural field
spatial field
